翻訳と辞書
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・ The Heart of O'Yama
・ The Heart of Paula
・ The Heart of Princess Joan
・ The Heart of Princess Osra
・ The Heart of Rock & Roll
・ The Heart of Rock & Roll – The Best of Huey Lewis and The News
・ The Heart of Rock 'N' Roll
・ The Heart of Saturday Night
・ The Heart of Sister Ann
・ The Heart of St. Pauli
・ The Heart of Steel
・ The Heart of Texas
・ The Heart of Texas Ryan
・ The Heart of tha Streetz, Vol. 1
・ The Heart of tha Streetz, Vol. 2 (I Am What I Am)
The Heart of the Andes
・ The Heart of the Bear
・ The Heart of the Game
・ The Heart of the Matter
・ The Heart of the Matter (disambiguation)
・ The Heart of the Matter (film)
・ The Heart of the Matter (Kenny Rogers album)
・ The Heart of the Matter (song)
・ The Heart of the Matter (Triosphere album)
・ The Heart of the Park
・ The Heart of the Serpent
・ The Heart of the Truest Believer
・ The Heart of the Valley
・ The Heart of the Warrior
・ The Heart of the World


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The Heart of the Andes : ウィキペディア英語版
The Heart of the Andes

''The Heart of the Andes'' is a large oil-on-canvas landscape painting by the American artist Frederic Edwin Church (1826–1900).
At more than five feet (1.7 metres) high and almost ten feet (3 metres) wide, it depicts an idealized landscape in the South American Andes, where Church traveled on two occasions. Its exhibition in 1859 was a sensation, and the painting established Church as the foremost landscape painter in the United States. It has been in the collection of New York's Metropolitan Museum of Art since 1909, and is among Church's most renowned works.
== Background ==

In 1853 and again in 1857, Church traveled in Ecuador and Colombia, financed by businessman Cyrus West Field, who wished to use Church's paintings to lure investors to his South American ventures. Church was inspired by the Prussian naturalist and explorer Alexander von Humboldt, and his 1845 treatise ''Kosmos''. Humboldt was among the last of the great scientific generalists, and his fame was similar to that of Albert Einstein a century later.〔 In the second volume of ''Kosmos'', Humboldt included a chapter on the influence of landscape painting on the study of the natural world—ranking that art among the highest expressions of the love of nature〔—and challenging artists to portray the "physiognomy" of the landscape. Church retraced Humboldt's travels in South America.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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